Novel-in-Progress Long-listed for Historical Novel Society New Novel Award
August 21, 2018 § 4 Comments
Pleased to note that the Historical Novel Society has named my novel-in-progress, The Confession of Michael Martin, to the Long List for their 2018 New Novel Award. This is a great honor, and I take it as a positive sign for the ultimate success of the book, which I’ve been working on for a number of years but very few people have read. The HNS listing reads, in part: “A novel of adventure, friendship, and immigrant life inspired by the true story of early American outlaws, intriguingly different from Hollywood mythologies.”
Will Poole’s Island named to list of Best Young Adult Historical Fiction Books
February 8, 2018 § Leave a comment
Honored to be on this list, which also includes Laurie Halse Anderson’s Fever 1793, Christopher Paul Curtis’ Bud, Not Buddy, and Ann Rinaldi’s Numbering All the Bones. An excerpt of the review on Homeschooling Teen website, the list’s publisher:
“This novel has everything a teen could hope for in a historical fiction book, including elements of magic, a journey across the sea and enough conflict and suspense to keep the pages turning. Moreover, the novel provides excellent, although indirect, commentary on current events.”
Find out everything you need to know about Will Poole’s Island here.
A conversation about writing with James Scott of TK Podcast
August 29, 2017 § Leave a comment
Really enjoyed my conversation with James Scott on the latest episode of his terrific series of literary conversations known as the TK Podcast. James is a bestselling novelist (The Kept) and an excellent interviewer, with a real knack for asking questions about writing and life that lead to interesting places.
We talked about travel, the writing life, the binary nature of solitude, National Geographic, short fiction, how to sequence stories in a short fiction collection, the Cuba Writers Program, Ingmar Bergman, drug writing, Green Writers Press, Denis Johnson, The Grateful Dead, Cormac McCarthy’s The Road, Paul Bowles, and much, much more. Highly recommended if you’re a writer and/or a fan of literary podcasts! Here’s the link.
LitHub piece on historical fiction featuring WILL POOLE’S ISLAND
April 24, 2017 § Leave a comment
Take a look at Crystal King’s recent article at Literary Hub regarding the relevance of historical fiction to contemporary society. Crystal, the author of Feast of Sorrow, a gripping new novel on ancient Rome, makes some excellent points about the ways in which the visceral experience of history that comes from reading novels based in the past can inform our understanding of the present. The article also presents the perspectives of ten contemporary historical novelists in whose company I’m quite honored to be included, including Jenna Blum, Anjali Mitter Duva, Margaret George, Heather Webb, and Marjan Kamali. Our current political leaders would do well to read this one!
“Historical Fiction is More Important than Ever: 10 Writers Weigh In.”
Two new articles on the writing craft
April 9, 2017 § Leave a comment
“As a species, we’re ruled and dominated by our over-developed hominid imaginations. Setting is what propels us into the dream of story, because its lucidity — its sensory concreteness — activates our imaginations on a subconscious level, irresistibly, without our knowledge or permission.” — from “Research Notes: A Field Guide to Murder & Fly Fishing,” an illustrated meditation on place and the writing process at Necessary Fiction
“We read novels and stories for distraction, for entertainment, yet the best fiction also gives us something life itself cannot: direct exposure to the internal life of another human being. It is this unique backstage access that makes good fiction more immersive and emotionally gripping than any other narrative medium.” — from “What Are Writers For? A Fiction Writer’s Perspective,” at GrubWrites.
Eight Novels to Prepare You for the End of Civilization at Talking Writing
March 21, 2017 § Leave a comment
Yet another new article up, this one at Talking Writing. Here’s a quick excerpt:
Novels act like beacons in stormy weather. Even when they promise an escape from the daily onslaught, novels light a path forward in ways nonfiction can’t. They allow readers to live out life’s worst-case scenarios from within the safety of their own imaginations so that when something terrible actually happens—a personal tragedy, a natural catastrophe, a deadly plague—it’s not a complete surprise. As a reader, I’m an easy mark for dystopian and post-apocalyptic fiction, and I’m often struck by the unique way such novels deliver not only practical strategies for surviving the unthinkable but emotional strategies, too—which ultimately may be more important. It’s hard to overstate the solace good fiction can provide even in the darkest of times.
So, if you’re stocking the shelves of your survival shelter, don’t forget to throw in a few gripping novels. Here are eight that strike me as especially pertinent right now.
Read the full article here!
Hemingway’s Ghost in Havana at The Millions
March 21, 2017 § Leave a comment
New essay up up at The Millions, in which I trace Hemingway’s 30 year love affair with Havana and try to get to the bottom of what his lingering influence says about both the writer and the city. Read the whole thing here. A brief excerpt:
In Havana, Ernest Hemingway’s restless ghost lingers more palpably than in any of the other places in the world that can legitimately claim him: Paris, Madrid, Sun Valley, Key West. Havana was his principal home for more than three decades, and its physical aspect has changed very little since he left it, for the last time, in the spring of 1960.
I’ve been traveling to the city with some regularity since 1999, when I directed one of the first officially sanctioned programs for U.S. students in Cuba since the triumph of Fidel Castro’s 1959 Revolution. As an aspiring novelist, I’ve long been interested in Hemingway’s work, but I had no idea how prominently Havana figured in the author’s life — nor how prominently the author figured in the city’s defining iconography — until I began spending time there.
New craft article out at Fiction Writers Review
March 20, 2017 § 2 Comments
I’m a big fan of Fiction Writers Review and it’s an honor to be welcomed home from a trip abroad with the news that they’ve published my article, “Shadow Play: Dreams, Visions, & Hallucinations in Fiction.” Here’s a brief excerpt:
A vibrant inner landscape is something fiction can offer far more fulsomely than any other narrative art, which is the reason novels and stories will never be fully supplanted by movies or TV or video games. Fiction is irresistible because it offers the reader a defamiliarized version of the universal mind, in all its wisdom and agony and strange, conflicted beauty.
For fiction writers, this is where it gets fun. The inner landscape is our native domain, and we have certain freedoms and privileges within it that are not readily available to other artists. Our stories unfold primarily as refracted through our characters’ minds, meaning that we’re uniquely positioned to push against the outer limits of objective reality. We can play around with space and time and perception in really interesting ways—including via dreams, visions, and hallucinations.
Read the full article here.
Brattleboro Literary Festival
September 23, 2016 § Leave a comment
This year’s logo is based on a painting by the magnificent Vermont artist Julia Zanes
Very much looking forward to this year’s Brattleboro Literary Festival! This has evolved into one of the premier literary events of the year, anywhere in the country, and I’m so pleased to be part of it. As a member of the author committee, I’ll have the great honor and pleasure of introducing fellow writers Sunil Yapa, Nancy Marie Brown, Jonathan Lee, and Meg Little Reilly.
If you’re anywhere near southern Vermont the weekend of October 13 – 16, 2016, you’d be crazy not to stop in. All events are free and open to the public!
Fall Writing Classes at GrubStreet and the Brattleboro Literary Festival
August 28, 2015 § Leave a comment
Very excited for this fall’s fiction classes. At Grub Street, I’ll be teaching four installments of a brand new eight part Novel Revision series. If you’re working on a novel, it would be great to have you in Boston for a class! Here’s the link. Check ’em out!
To kick off this year’s Brattleboro Literary Festival on Friday, October 2, I’ll be joining two very talented fellow writers, my Grub Street colleague Howard Axelrod and my good friend and local Salonista shaman, Suzanne Kingsbury, in offering these exciting workshops. For a podcast of a radio interview with Festival director Sandy Rouse and yours truly discussing the workshops, click here. If you’re planning to be anywhere near Vermont on that day—and it’s a great time to be here—I highly recommend that you take one!
Tim Weed 