Hemingway’s Ghost in Havana at The Millions

March 21, 2017 § Leave a comment

hemingwayNew essay up up at The Millions, in which I trace Hemingway’s 30 year love affair with Havana and try to get to the bottom of what his lingering influence says about both the writer and the city. Read the whole thing here. A brief excerpt:

In Havana, Ernest Hemingway’s restless ghost lingers more palpably than in any of the other places in the world that can legitimately claim him: Paris, Madrid, Sun Valley, Key West. Havana was his principal home for more than three decades, and its physical aspect has changed very little since he left it, for the last time, in the spring of 1960.

I’ve been traveling to the city with some regularity since 1999, when I directed one of the first officially sanctioned programs for U.S. students in Cuba since the triumph of Fidel Castro’s 1959 Revolution. As an aspiring novelist, I’ve long been interested in Hemingway’s work, but I had no idea how prominently Havana figured in the author’s life — nor how prominently the author figured in the city’s defining iconography — until I began spending time there.

New craft article out at Fiction Writers Review

March 20, 2017 § 2 Comments

logoI’m a big fan of Fiction Writers Review and it’s an honor to be welcomed home from a trip abroad with the news that they’ve published my article, “Shadow Play: Dreams, Visions, & Hallucinations in Fiction.” Here’s a brief excerpt:

A vibrant inner landscape is something fiction can offer far more fulsomely than any other narrative art, which is the reason novels and stories will never be fully supplanted by movies or TV or video games. Fiction is irresistible because it offers the reader a defamiliarized version of the universal mind, in all its wisdom and agony and strange, conflicted beauty.

For fiction writers, this is where it gets fun. The inner landscape is our native domain, and we have certain freedoms and privileges within it that are not readily available to other artists. Our stories unfold primarily as refracted through our characters’ minds, meaning that we’re uniquely positioned to push against the outer limits of objective reality. We can play around with space and time and perception in really interesting ways—including via dreams, visions, and hallucinations.

Read the full article here.

Brattleboro Literary Festival

September 23, 2016 § Leave a comment

This year's logo is based on a painting by the magnificent Vermont artist Julia Zanes

This year’s logo is based on a painting by the magnificent Vermont artist Julia Zanes

Very much looking forward to this year’s Brattleboro Literary Festival! This has evolved into one of the premier literary events of the year, anywhere in the country, and I’m so pleased to be part of it. As a member of the author committee, I’ll have the great honor and pleasure of introducing fellow writers Sunil Yapa, Nancy Marie Brown, Jonathan Lee, and Meg Little Reilly.

If you’re anywhere near southern Vermont the weekend of October 13 – 16, 2016, you’d be crazy not to stop in. All events are free and open to the public!

Fall Writing Classes at GrubStreet and the Brattleboro Literary Festival

August 28, 2015 § Leave a comment

grubstreet-logoVery excited for this fall’s fiction classes. At Grub Street, I’ll be teaching four installments of a brand new eight part Novel Revision series. If you’re working on a novel, it would be great to have you in Boston for a class!  Here’s the link. Check ’em out!

BLF2014Poster3ptrTo kick off this year’s Brattleboro Literary Festival on Friday, October 2, I’ll be joining two very talented fellow writers, my Grub Street colleague Howard Axelrod and my good friend and local Salonista shaman, Suzanne Kingsbury, in offering these exciting workshops. For a podcast of a radio interview with Festival director Sandy Rouse and yours truly discussing the workshops, click here. If you’re planning to be anywhere near Vermont on that day—and it’s a great time to be here—I highly recommend that you take one!

 

Summer writing seminars at GrubStreet

May 12, 2015 § Leave a comment

grubstreet-logoLooking forward to teaching three intensive one-day seminars on critical aspects of the fiction writing craft this summer: descriptive writing, the novel opening, and point of view/psychic distance. I’m very much enjoying my association with GrubStreet, a Boston-based organization run by kind and wonderful people and frequented by many talented aspiring and established writers. If you’re within striking distance of downtown Boston, come join us!

Here’s a link to all of my upcoming GrubStreet workshops.

Author interview: Inside Historical Fiction

April 21, 2015 § 2 Comments

cropped-screen-shot-2015-01-26-at-4-57-33-pmIt was a pleasure to be interviewed recently by the author M.K. Tod for her Inside Historical Fiction series. We had a nice talk about the ingredients that go into the making of great historical fiction, the research process, recent trends in the genre, and more. Here’s an excerpt:

MKT: Are historical novels inherently different from contemporary novels, and if so, in what ways?

TW: There’s a quote that I love from Andrew Miller, writing in The New York Times Book Review a few years ago, about the appeal of distance, and of “the strangeness such distance produces and of the lives lived recognizably in the midst of that strangeness.” He compared historical fiction to science fiction, pointing out that both genres require the writer to depict the only world he or she can possibly know—“the here and now”—in other terms.

To me, this notion captures much of what I love about historical fiction, both in the writing and in the reading: it’s at once a dream we have to enter and an oblique reflection of ourselves. In my experience, this kind of mind-altering immersion is harder to find in contemporary novels—if by “contemporary” we mean novels that are set in times and places very similar to the quotidian spheres in which we tend to live out our lives.

Read the full interview here.

Upcoming talks and appearances

March 20, 2015 § Leave a comment

10653394_10152466045124682_4593457784593993577_nLooking forward to a busy spring and summer of talks and appearances! If you’re attending any of these events, I look forward to meeting you there. If you can’t make any of them but are interested in similar content, there are still openings in these wonderful, intensive writing seminars at GrubStreet in Boston.

April 24 – 26, 2015: Talks on the Jungian Shadow in YA Fiction and Image Systems in Fiction. New England Society of Children’s Book Writers & Illustrators Conference, Springfield, MA

May 1 – 3, 2015: “Voice and Dialog in Historical Fiction.” GrubStreet’s Muse & The Marketplace Conference, Boston, MA IMG_3926

July 12 – 17, 2015: “Life Stories: Creative Adventurers, Adventurous Creators” (5-part lecture series). All-Star 2 Family Conference. Star Island, Isles of Shoals, NH July

18 – 24, 2015: Guest author, Writing in Prague program (Putney Student Travel)

Novel Excerpt in The Island Review

February 6, 2015 § Leave a comment

new-england-1-640x420Nice to see this excerpt from Will Poole’s Island published today in The Island Review. My thanks to Malachy Tallack and the rest of the TIR staff – it’s a great publication to subscribe to if you love islands and good writing!

What Novels Can Do That Movies Can’t

January 10, 2015 § 1 Comment

grubstreet-logoIn anticipation of the 10 week novel class I’m teaching at GrubStreet this winter, I have a little piece up at The Grub Daily called “What Novels Can do that Movies Can’t, and Why We Need to Keep Writing Them.” Here’s an excerpt:

“One of the great things about being alive in the twenty-first century is the abundance of good movies – and, lately, of good and even great TV series. But the happy truth is, even in this environment, novels are holding their own. This may be due to what novelist and writing teacher John Gardner referred to as the “vivid, continuous dream” of fiction, which is more than a writing workshop cliché.”

Read the whole post here.

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