A high altitude lake is the point of departure for these stories of dark adventure, in which fishing guides, amateur sportsmen, teenage misfits, scientists, mountaineers, and expatriates embark on disquieting journeys of self-discovery in far-flung places.
“From the mountain lakes of the Colorado Rockies to cobbled streets of Spain, this fascinating collection of short stories never disappoints. A Field Guide to Murder and Fly Fishing is a collection you’ll be happy to get lost in.” — Ploughshares.
“These stories bristle with energy and immediacy. The writing is spare and meticulous and packs a hefty emotional punch. I am not exaggerating when I say this collection kept me up at nights. I just couldn’t stop reading.” — Addison Independent
“Tim Weed proves himself a skilled creator of a sense of place . . . each story deposits one definitively into a geography, of mind and map.” — The Boston Globe
“I found myself consuming [these] thirteen tightly wound tales with addictive delight.” — Fiction Writers Review
A FIELD GUIDE TO MURDER & FLY FISHING was a finalist for the 2017 International Book Awards (Short Story category) and has been shortlisted for the New Rivers Press Many Voices Project, the Autumn House Press Fiction Prize, and the Lewis-Clark Press Discovery Award.
“Each story is a jewel, cracking open what matters most: love, family, and our big beautiful planet.” —Ann Hood, author of The Book That Matters Most
“Tim Weed’s A Field Guide to Murder & Fly Fishing is a fiction collection of the first order. I found myself parceling out the stories to make them last. These are stories that will live a long time both on the page and in your heart.” —Joseph Monninger, author of The World as We Know It.
Stories in the collection have appeared in Colorado Review, Gulf Coast, Saranac Review, and many other literary magazines, reviews, and anthologies. “The Afternoon Client” won the 2013 Writer’s Digest Popular Fiction Awards, and “Tower Eight” was the Grand Prize winner for Outrider Press’s The Mountain anthology. Other stories have been nominated for the Pushcart and Best of the Net anthologies and shortlisted for the Tucson Festival of Books Literary Awards, the Lightship International Literature Prize, the Glimmer Train Short Story Award for New Writers, the Rick DeMarinis Short Fiction Award, the Alligator Juniper Award for Short Fiction, and the Richard Yates Short Story Awards.
“In his first short story collection, novelist Tim Weed shows his stunningly impressive range—transporting readers from the heights of the Andes and the depths of the Amazon to the backstreets of Rome and Granada. Many of Weed’s stories have a hint of the mysterious, even the supernatural, but they are all grounded in sharply-rendered material worlds so fresh one feels one might step directly into the literary photographs he has created and stroll around for a while. A top-notch debut, not to be missed.”—Jacob Appel, author of Einstein’s Beach House
Show your interest and support by ordering the collection at your favorite local bookstore (ISBN #978-0997452877) or on IndieBound, Amazon or Barnes & Noble. Click on the button below to add to your Goodreads to-read list (click the button, then click “Want to Read” under the cover image):
“Weed begins with the assumption that his readers are ready and able to see that the world is not as it seems. Humans and their sometimes mysterious natures are all it takes for Weed to spin fiction of the first order.” — The Brattleboro Reformer
“If you seek a guide—on coming of age, lost love, temptations both resisted and surrendered to, and the need to both engage with and respect the planet—Weed’s book is a good choice. It won’t tell you which laws to obey and which to break—but it will show you, with simultaneous beauty and savagery, what will happen either way.” — Colorado Review
“[In “Tower Eight”] Weed delves into adolescent friendship and the idea of being an outsider with great care for his characters. The tale begins and ends with one character musing on the reality of the other. The surreal ploy is subtle enough to bring the story into the realm of good literature, making the reader question perceptions of reality . . . Weed’s prose is weightless, and weighty, all at once.” — Seven Days
“Steal Your Face” is a short story that would make Mark Twain proud, as if Tom Sawyer or Huck Finn found themselves on tour with Jerry and the boys and culminated their eventful summers on a head full of acid in Colorado at the Red Rocks amphitheater.” — Vagabondage Press
“The Money Pill” feels like essential literature—for its self-awareness, its bold impeachment of globalism, and its sultry, sticky atmosphere of arousal and shame.” — Necessary Fiction
“This collection of stories by Tim Weed is grounded in the specificity of its settings, all of which contain hazards of one kind or another. Its stories are about transgression and karma, and a natural order that seems to render its characters uncertain of their own reality. It is written so deftly, with such a light touch, that suspense builds in each story like a gathering storm.” — Patrick Joyce, author of the forthcoming One Devil Too Many