Publishers Weekly reviews THE GATEPOST
March 17, 2026 § Leave a comment
Publishers Weekly is widely regarded as the most influential trade magazine for the book industry, read by publishers, librarians, booksellers, newspaper and magazine editors, and even (ahem!) film industry types. PW reviews have a great deal of influence on which books get noticed, bought, and promoted in the media. Needless to say, I’m on cloud nine to have this new Publisher’s Weekly review of my forthcoming novel The Gatepost, arriving to bookstores near you (or your mailbox if you preorder) on May 26, 2026! Here’s an excerpt:
“Twenty years before the start of this spellbinder from Weed (The Afterlife Project), Professor Gregory Weatherhead, an expert in Mesoamerican shamanism, disappeared from his home in Vermont. Now, his daughter, Esme, is struggling to write a book about him. Convinced the disappearance is connected to a cave Weatherhead discovered on his property, she hires geologist Lucas St. Pierre to find the site. An old field journal also reveals that just before he vanished, Weatherhead had been experimenting with psilocybin mushrooms . . . Weed does a nice job interposing the present mystery with Weatherhead’s research in both Vermont and Oaxaca, and balances esoteric mysticism with touching contemporary detail. This well-researched tale is sure to entertain.”
You can read the full review here. Preordering from your local bookstore or via one of the links here is helpful and very much appreciated!
Seven Days reviews THE AFTERLIFE PROJECT
June 4, 2025 § Leave a comment
This penetrating and wise review is a particular honor; Seven Days is a venerable journalistic institution here in my home state of Vermont. My thanks go out the reviewer, Margot Harrison, who is a novelist herself, and whose insights therefore carry a particular charge for me.
My favorite excerpt below, though I recommend that you read the whole review here.
“Remembering a trip to Dinosaur National Monument as a child, when he first sensed the “otherworldly vastness of geological time,” Nick reminisces about a vanished world in which humanity’s own extinction was already foreshadowed:
‘From Dinosaur they drove west, into the heart of fossil gas extraction country, stopping for another picnic dinner at a highway pullout: cheddar cheese, summer sausage, and more of those improbably fat blueberries. Light and shadow; the golden-red dusk still hazy from the forest fires; the tall orange flames of the flaring wells like monumental torches arranged across the desert landscape.’
In such passages, Weed reminds us why cli-fi matters: The tools of fiction, including elegiac literary prose, empower him to push past numbing statistics and bring home the impact of environmental crisis on the individual.”
Vermont Humanities Council Speakers Bureau
June 25, 2015 § 1 Comment
After a somewhat harrowing audition process, I’m pleased to report that I’ve been invited to join the Vermont Humanities Council Speaker’s Bureau! Here’s the title and description of my talk:
A Playground for Empire: Historical Perspectives on Cuba and the U.S.A. Spain lost Cuba in 1898, after nearly 400 years of colonial rule. The Cuban Revolution of 1959 is one of the great underdog stories in modern history, in which a tiny band of young rebels prevailed against all odds and despite the ambivalence of the world superpower only ninety miles to the north. This nationalist Revolution quickly fell under the sway of another world empire, the USSR, and Cuba’s previously close ties with the U.S. were abruptly severed. This visually rich lecture by a long-time observer of the island will highlight recent changes in light of Cuba’s long struggle for sovereignty.
If you belong to any nonprofit organization or municipality in Vermont, you can book this talk through the VHC. Link here for instructions, which should be updated with VHC’s new catalog soon. If you’re interested in booking talks on a different subject, please feel free to contact me directly.
Tim Weed 