New Reviews: A FIELD GUIDE TO MURDER & FLY FISHING
March 31, 2017 § 1 Comment
Two new reviews out. One from the distinguished Charles Butterfield writing in our great local newspaper the Brattleboro Reformer, and the other from the national Small Press Book Review. Very happy about both of these!
“Weed begins with the assumption that his readers are ready and able to see that the world is not as it seems. Things happen we cannot anticipate, and men change in surprising ways. Some of Weed’s stories verge on magical realism . . But most of these tales reside in the world of the senses. No ghosts, fantastical creatures or extra-planetary aliens move these stories. But visions, dreams and hallucinations do. Humans and their sometimes mysterious natures are all it takes for Weed to spin fiction of the first order.” Charles Butterfield, Brattleboro Reformer (full review here.)
“As readers, we have been given passports into Tim Weed’s fictional worlds . . . We cannot alter the fates of those we have joined but, if we give them a chance, they could alter ours.” Small Press Book Review (full review here)
This page has updated links to all reviews of A FIELD GUIDE TO MURDER & FLY FISHING.
New Profile up at The Commons
March 29, 2017 § Leave a comment
A nice profile of yours truly is up at The Commons, a first-rate independent newspaper covering my home territory of Windham County, Vermont. You might be tempted to call it a “puff piece,” but the author, Richard Henke, asked some good questions and the article is almost entirely accurate. I’m definitely not complaining! Give it a read if you’re interested.
Eight Novels to Prepare You for the End of Civilization at Talking Writing
March 21, 2017 § Leave a comment
Yet another new article up, this one at Talking Writing. Here’s a quick excerpt:
Novels act like beacons in stormy weather. Even when they promise an escape from the daily onslaught, novels light a path forward in ways nonfiction can’t. They allow readers to live out life’s worst-case scenarios from within the safety of their own imaginations so that when something terrible actually happens—a personal tragedy, a natural catastrophe, a deadly plague—it’s not a complete surprise. As a reader, I’m an easy mark for dystopian and post-apocalyptic fiction, and I’m often struck by the unique way such novels deliver not only practical strategies for surviving the unthinkable but emotional strategies, too—which ultimately may be more important. It’s hard to overstate the solace good fiction can provide even in the darkest of times.
So, if you’re stocking the shelves of your survival shelter, don’t forget to throw in a few gripping novels. Here are eight that strike me as especially pertinent right now.
Read the full article here!
Hemingway’s Ghost in Havana at The Millions
March 21, 2017 § Leave a comment
New essay up up at The Millions, in which I trace Hemingway’s 30 year love affair with Havana and try to get to the bottom of what his lingering influence says about both the writer and the city. Read the whole thing here. A brief excerpt:
In Havana, Ernest Hemingway’s restless ghost lingers more palpably than in any of the other places in the world that can legitimately claim him: Paris, Madrid, Sun Valley, Key West. Havana was his principal home for more than three decades, and its physical aspect has changed very little since he left it, for the last time, in the spring of 1960.
I’ve been traveling to the city with some regularity since 1999, when I directed one of the first officially sanctioned programs for U.S. students in Cuba since the triumph of Fidel Castro’s 1959 Revolution. As an aspiring novelist, I’ve long been interested in Hemingway’s work, but I had no idea how prominently Havana figured in the author’s life — nor how prominently the author figured in the city’s defining iconography — until I began spending time there.
New craft article out at Fiction Writers Review
March 20, 2017 § 2 Comments
I’m a big fan of Fiction Writers Review and it’s an honor to be welcomed home from a trip abroad with the news that they’ve published my article, “Shadow Play: Dreams, Visions, & Hallucinations in Fiction.” Here’s a brief excerpt:
A vibrant inner landscape is something fiction can offer far more fulsomely than any other narrative art, which is the reason novels and stories will never be fully supplanted by movies or TV or video games. Fiction is irresistible because it offers the reader a defamiliarized version of the universal mind, in all its wisdom and agony and strange, conflicted beauty.
For fiction writers, this is where it gets fun. The inner landscape is our native domain, and we have certain freedoms and privileges within it that are not readily available to other artists. Our stories unfold primarily as refracted through our characters’ minds, meaning that we’re uniquely positioned to push against the outer limits of objective reality. We can play around with space and time and perception in really interesting ways—including via dreams, visions, and hallucinations.
Read the full article here.
Tim Weed 